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一些华丽优美的句子

1. 谁捡走了我的玻璃鞋,寻找遗失的玻璃鞋.

2. 命里哊时钟需哊 命里无时莫强求

3. 没有谁对不起谁,只有谁不懂得珍惜谁.

4. 记忆零落的恨,像被刀子划过叻的鱼鳞,囿些还畱在身体仩,囿些是掉在叻水裏叻,讲水一搅,囿几片还会翻腾,闪烁,然而中间混着血丝

5. 我喜欢冬天，因为白昼短暂而黑夜漫长，这样会有更多的时间来逃避

6.我的世界不允许你的消失,不管结局是否完美.

7. 爱情是一个精心设计的谎言

8.承诺常常很像蝴蝶,美丽的飞盘旋然后不见

9.依然习惯被爱的感觉,也许某天在喧哗的城市中,你我擦肩而过,我会停住脚步,凝望着那个正在远去的背影告诉自己,那个人…..我曾经爱过.

10.为什么幸福总是擦肩而过,偶尔想你的时候….就让….回忆来陪我.

11.爱情…在指缝间承诺 指缝….在爱情下交缠.

12. 我很爱你,从那天世界

完全属你 爱埋藏在日记而我的世界 仍然属于你

13. 我仍怀著志气 爱原没有限期

这夜仍旧要别离 无人望见 我轻吻那空气

14. 挂在叶子上的雨滴

是天使的泪

我的心

如果它能为你带来快乐

我情愿

15. 人总是喜欢解脱束缚，寻求另外一种新鲜刺激的生活。就像穿鞋，穿久了，光着脚走路，就会有一种全新的体验。然而，光脚一旦遇上了玻璃碴，就容易受伤……

16. ……………………

爱情不应该是省略号

—— —— ——

爱情不应该是破折号

！！！！！！！

爱情不应该是感叹号

好象…… —— ！！！

她就只能是一个问号

17. 我的脚步想去流浪，我的心却想靠岸，我的影子想去飞翔，我的人还在地上，我的笑容想去伪装，我的泪却想投降。我这样的人没有你想象中坚强，如果你寂寞的胸膛是我依靠的地方，我将在那里生活一辈子．．．．．

18. 周刊的封面彩照抢眼

叙述最新的荒诞笑话

中间添加几多设计的对白

19. 如果你为着错过夕阳而哭泣，那么你就要错群星了

20. 人活着 总是要得罪一些人的 就要看那些人是否值得得罪

21. 我问上帝：怎样才可以对悲伤的事情一边笑一边忘记？

上帝回答：把自己弄的疯掉。(from:笑面人)

22. 心若改变，你的态度跟着改变；态度改变，你的习惯跟着改变；

习惯改变，你的性格跟着改变；性格改变，你的人生跟着改变。

在顺境中感恩，在逆境中依旧心存喜乐，认真活在当下。

23. 玫瑰花安静的盛开，紫罗兰安静的谢了。野草安静的蔓延，一丝沉没与压抑，却有品味。我沉默，不再离去……

24. 凋谢是真实的 盛开只是一种过去

25. 摘不到的星星，总是最亮的

溜掉的小鱼，总是最美丽的

错过的电影，总是最好看的

失去的情人，总是最懂我的

我是始终不明白，这究竟是什么道理

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和她相比，他更像是一个贪玩的孩子，他没有长大，还是躲在自己的城堡里玩耍，一旦要接近残忍现实的世界，他选择的面对方式就是逃避和沉默。于是，他会在她手足无措的夜晚体察不到她的崩溃，在她歇斯底里的哭泣里面无法体谅她的失控，她将裂开，而他选择了一次又一次的躲避。

O 每次两人分开，她总是一转身就走掉，他几乎怀疑她根本就是一个绝情的人。她似乎什么都可以放得开，她有时候又似乎非常感性，看电影会失声哭起来。她拒绝给自己一个温情怀抱，她不过是容易制造苦情气氛的女子，有孽缘，又太灵性，这样怎么会快乐起来呢。

O她忍不住发笑，她永远有痴狂症，以为自己是天使，而天国，哪里容忍她这般满目疮痍的女子作使者。

O 有的爱，一开始就注定带来忧郁和创伤，硬要接受下来，必定是肝肠寸断的结局。

O 写作这碗饭，不是人人都能吃的，这是天赐的饭碗，不是靠辛苦努力就可以得到的。有辛苦没有天赋，只能是吐血身亡并无建树，有天赋没有辛苦，又只能暗自蹉跎，最后被老天收回了去。

O 有那样一种女子，是罕见的，与众不同的，她们文艺而敏感，行为简单却思维深刻；她们也许不美，但是她们总能洋溢着耀眼光华，区别于众俗之中。她们通常不会很快乐，她们有着突出的特质，也有重大的缺憾。她们不断地行走红尘，感受那些凡俗的伤感，夜里躲在天上哭泣，白天踏着泪变的露珠，可是她们还是那样华丽。

O 她没有真心，他们没有灵魂，俗尘凡世一相逢，便注定要散落。

O 人世间勇敢的男人少到只能在小说里看到，而勇敢的女人却比比皆是；吹起人间烟火的是男人，持续着的却多是女人。不甘心不情愿，爱成残缺，努力争取，和命运抗争，终究还是敌不过与人分享热爱或者遭人临时抽身的尴尬。

O 网络成就了多少人的梦想，点开窗口就可以言爱，可是，谁的爱会蜿蜒着携带真心而来？

O 毕竟，生活是生活，不是无关痛痒的小说。小说永远会在最关键的时刻止住，留给你无穷的遐思，生活则是枝叶相连的纠葛。

O 你的身上有一种咄咄逼人的气质。这样的气质会令你丧失很多受宠爱的机会——因为很少会有人敢接近你。

O 很多人爱着，爱累了，爱成了无能，麻木地活着，却少不了男欢女爱。爱无能着，身体的器官还在蓬勃着，于是，也就只能男欢女爱了。

O 没有爱情，对于一个单身男人来说，未尝不是一件幸福的事情。空心人不一定比多心人活得逊色，至少他们心情愉快，远离烦忧。

O 她更容易被强势的人所带领和指引，这个倾向没有人知道，面对她的人总是视她为脆弱或者天使，能恭敬她就恭敬她，能保护她就保护她。

O 她就如同一只软体的寄生动物，而他正好是一株坚强的树木，她慢慢找到了他，开始依附于他生存，慢慢慢慢，她的精神和他就融合在了一起。

O 有时候感情就是这么奇怪的一个东西，你拼命找寻的时候，它隐藏逃匿，你视它为不顾，它却突然现身出来。

O 若有一天她找到了自己的真命天子，她一定迎上前去，泪流满面地狠狠掐他的胳膊，直到掐得他痕迹斑斑。她会委屈地说，我找了你那么多年，你为什么现在才出现？

O 他一直没有告诉她，撇去她的其他不谈，只是她的样子，就已经如一个有魔力的咒语一样地围绕着他了，一旦出现，全盘笼罩，他的生活里再也不能没有她的痕迹。

O 原来这样的转变，不过是一个拥抱，或者一句话语。爱与不爱之间，只隔一线，先前的那些，都不过是勇敢的铺垫

O 她绝望的笔下，那片废墟一样的空旷，是由他造成的。她不过是一个简单的女人，希望这场无妄的爱能够落地开花，而他，始终固守在他自己建造的城堡之中，步步为营，不敢前行。

O 再浓烈的感情，一旦决意斩断，熄灭不过是一念之间。

O 时间不恰当，浪漫变成了拖累。

O 他几乎要失控地伸手去拉她的手，请她不要那么快将欢乐给予他，而又将悲伤一并携来。他远没有她想象中那样坚强，他也不是能够受得了伤害的。

O 她曾经在没有太阳的深夜里遇到他，被他的阴暗所吸引，而她终于是要浮出水面见到阳光的。那种暗晦的病态直接影响到了她，他们慢慢变成了一样的瘦弱、病态、萎靡不振，像台湾中生代导演作品里面的人物，每个人都在变态的边缘茫然。有人觉得那很美，她不这样认为。

O 不是全世界都像你那么好运，遇到梦中情人，现在满大街上都是疤拉眼、秃子、罗圈腿和胖子——小雷那样的胖子。他们一样有尊严，也要生活，也会爱。

O 只有天真的人，才会说出心无城府的攻击的话。她对于她的无理，一直是那样认为的。

O 她紧紧地拥抱他，实物的触摸能够安慰空荡的灵魂，此刻她唯有如此，才能够慰藉到自己走失的灵魂。

O 如果她终于找到那个人，她见到他的时候，一定会掐他的胳膊，掐到他有伤痕，她会说，你怎么会这样晚才出现。

O 她真不觉得插科打诨有什么可乐的，但是有千千万万的人，会那么专心地听，那么会心地笑。开心，来得那么那么容易，为什么离她就那么遥远。

O 已经有多久，没有这样近地接触人，看着他的眉眼，面对面说一些真挚的话。眼神是不会骗人的，表情亦是不会骗人的，原来这是真的。

O 女人没有必要去跟男人拼智慧。男人们拼命积攒知识，有时候也是希望自己能在和平时代的女人眼里，成为英雄。

O 其实她不过就是一个心智脆弱的孩子，为什么她身边的人都会不自觉地将她悬挂在高处，然后使出全身的防备去面对她。她一直需要的，不过是一个简单又单纯的拥抱。

O 幸福，在别人那里都是唾手可得的简单，而在她，却是上青天般的艰难。她努力找寻着，攀援着，它始终就是在空中悠闲地看着她，她挣扎，用岁月作为祭祀，荒废了一年又一年，它始终是那样的遥远。即使只是一个手指的距离，也依然无法达到。

O 他就是一个为自己营造了一个梦想国的自卑男子，靠着空间的力量迷上了说谎的游戏，在这场谎言里，他是王子，他站在至高无上的位置享用着一个奇怪女子的爱和崇拜，他沉迷于其中，过一天便算一天。他蒙蔽了自己的双眼，他以为永远都可以这样，做着美丽的梦，维持着他的枯燥乏味。

O 她在这些年飘荡的岁月里，已经逃开了许多世俗的规则，她如一个游牧民族一样生活着，谁都无法将她的灵魂掌握在手中。

O 在爱情面前，肥胖显得那么不合时宜，它令一切的美好破灭于眼前，那个心高气傲的男人，在爱情里委曲求全，也许他会在无人的时候偷偷哭泣。不过是为了取得爱一个女人的权利，令自己委屈至此。

O 曾经她以为，他和她的纠缠可以一直持续下去，持续到两个人都花白了头发，都未能有什么结果。而现在，她细数了一下，不过才只有一年的光景。一年，三百多个日夜，她已然对他无动于衷了。

O 她是一个多么弱小的动物，只要一个坚定的承诺就能够给她无比的决心，但是他吝于给予。小男人通常都会犯的毛病，太喜欢斤斤计较，太在意收入支出的平衡，太不珍惜难得的真情，他怎么能盛载她那样磅礴的热情呢？她如同一片汪洋，而他不过是一叶小舟，单薄摇曳，海上轻风便可将之吹翻，更何况是这样猛烈的风暴。那些壮烈，只能是给自己伤口，给自己难堪的。其实一切都可以圆满地解释过去：他不过是一个凡人，她却要他做着天上人间的事迹，她何必这样地为难于他呢？

O 他们不该是平行线上勉为其难的交织，他们只能顺其自然地互相对视，才能成就欣赏和憧憬。

O 轻松并不难，一个念头就可以解开的扣，很多人沉浸在情绪里，如她一样难以自拔，那或者真的需要一种拯救或者祈望一份神奇。

O 孤独的女人往往缺乏纯粹的信心，看上去的傲慢和凉薄只不过是类似于一种颜色的保护，使得自己与外界有一种心安理得的隔断，这种隔断，会带来无比安全。而这些外界主动涌过来的爱慕、欣赏或者喜爱，无疑是颜色之外与她的肌肤呈现友好的信号，或者说可以搭一座桥，令她慢慢放松警惕。

O 我想把你改造成一个俗气的姑娘，整天在太阳底下没心没肺地笑，晒得黑壮健康的，翻脸也不是不可以，有点烟火气息。可是这样的想法一产生，我就会自责得不行，我怎么可以把天使拽到人间。

O 想到这样的情景许明媚的心都碎了。似乎心里爬出来了几百只小虫子，一起在啮噬着她的骨头，那种酸涩难当的感觉她第一次感受。嫉妒吗？是嫉妒吧。嫉妒原来是这样折磨人的一种可怕东西。

O 她总觉得婚姻是距离她太遥远的一种相处形式，那包含着世俗的责任和繁琐。而她所盼望的生活，不过就是两个人简单地在一起，好像在一起，就意味着天长地久，这对于她来说，就是能够延展的所有想象。

O 你和我是不一样的，你永远拥有蓝天白云，而我只有一个狭小的空间，容纳自己已经不算轻松。

O 所谓华丽，非是容颜上的夺目，实在是一些不可解说的潜质透过平常的肌肤所散发出来的奇异光芒，她如此华丽，她如此不堪，她如此年轻。

O 这些穿梭在她生命里，与她的情感密切相关的人，岁月过后，已经变成了某种暧昧又疏远的符号，类似于她生命中的图腾，每个图腾都代表着她一段特殊的岁月。她也许不再对他们有任何鲜活的情感，但是她一辈子都不会忘记他们。

O 他手里捏着他们之间的线，他如拂尘一般的就将那根线给扫断了，她没有来得及做任何的准备便一个趔趄栽倒下去，这一个跟头的狼狈她简直无从想象，似乎是将她二十七年来所有积攒的信念全部都跌损，甚至连爬起来的力气都没有。

O一座庞大的城，将他和她之间，隔到了山水不重逢的绝情。

《同学少年不言情》

O 开始写日记，就像对着他说话，一句一句，可以顽皮，可以真挚，可以耍赖，可以勇敢。如果能够在一起，如果可以在一起，可是，那简直不啻于对天堂的奢望。我一笔一笔地描述着梦想天堂的样子，那里有风吹过，有鸟儿飞翔，还有迎风矗立的苏格，和身边灰灰暗暗的我——我又忍不住地忧伤，我只能是灰灰土土的样子，我该有怎么样的明媚，才可以衬得上苏格这个忧伤的太阳。

《光年里这样一个黎明》

O 记忆可以不在，与记忆有关的歌却一直存在。就这样一代一代地，从流行变为滥俗，再变为经典，从不同人的嘴里唱出，勾引着那些陈年旧事，和曾经温暖过你生命的某个片刻然后谢幕消失的那些人一样，起着怀旧的作用。

O 我第一次明白了情敌的滋味，她是我的情敌，而我没有勇气说起我的爱，我也是爱他的，可是，在她的气焰下，我突然觉得自己是如此的卑微，她如一个胜券在握的女皇，而我不过是那个尚未蜕变的灰姑娘，我们同时跌入王子的倒影里。她既霸道又光明磊落，而我，却如此畏畏缩缩，战战兢兢。

O 那样的快乐。仿佛这一生，惟一不求回报，惟一卑微到只要喜欢就可以了，也就只有对他才会这样。

《风中的卡布其诺》

O 记住一个人，只需要一个轻而易举的理由。

比如一个特别的眼神，比如某个特别的时刻，比如一杯咖啡。

《爱恨分七年》

O 在年轻的时候，谁不曾有过甜美的梦想，不过我这个梦，做得有点长久，它就这样地，星星点点地，就烧燎了原。

O 他的眼神寂寞而淡薄，充满了异乡人的寡淡，而就是他那样特别的样子，将感情的潮水，理直气壮地推向了那个年代整日做梦的我，我手脚并用都无抵抗之力，并且沾沾自喜着。因为，我终于在最好的年纪，做了一个流浪歌手的情人。

O 有一种人，当你和他遭遇的时候，你们的关系就只能是一种，要么是爱情，要么是仇恨，永远无法平静地做什么知己或者是朋友。

O 因为无比清醒，所以竟然没有怎么悲伤，我似一个早已知道死期的囚犯，镇定地等待着生命的终结，从容得连自己都惊诧。

O 凌晨的北京有一种孤独的华丽，华灯灿烂，行人却寥落，如此一座空泛的城，类似于遥远的西安，一样的孤独，一样的华丽，一样的空泛。每个城市都在上演着类似的悲欢，都在流行着类似的音乐，都在穿着类似的颜色，可是我和元浩离的故事，看上去是那么的辛酸和悲苦，似乎一直就是灰色的主题，褐色的旋律，黑色的结局，这一场边缘爱恋永远见不得阳光，永远无法正常地盛开，我们只能在一年一年的蹉跎里，渐渐变老。

《寂如流年》

O 这样的男人类似于一颗浸毒的摇丸，外表光鲜无比，一旦接近，就会上瘾，最后是绝决地毁灭。

《我在城外，想起你来》

O 真正爱一个人，不是风平浪静时候的甜言蜜语，而是风浪来临时的一双手。如此而已。

O 在她和他见面的第二天，她便知道他从此不再是她的梦想了。所有的之前的一切臆想，不过都是顺着他甜美的语言营造起来的一个海市蜃楼而已。雾气散尽之后，实则空无一物。

O 但是她对他，是无比懒惰的眷恋和无比习惯的依赖。她习惯于将自己的精神挂在他身上，然后可以给自己一个虚晃的假象，然后她可以神游，可以摇晃，可以飞翔。她是一株无根的野草，惟有挂在一颗树上，才可以做摇曳动人状，否则一阵风，她便会吹无踪。或者井昔这棵树并不是她理想中的树，但是恰好就是在那样的时刻，他以树的姿态出现，而她又正好准备飘摇，于是她绕上了他。

O 爱作前提，而他什么都不明白，他只是这样地，配合着她，做一场爱的配角。他心安理得地享受着她的给予，他从来都是享受着她的，却没有给她任何。

《暧昧》

O 原来暧昧关系，只可以温暖你的孤单，给不了任何安全。

《天使只在夜里哭》

O 我愿意为他，舍弃永久不死的生命，抛掉尊贵的女神身份，变做一个掌中的精灵，只等他来，用他的爱，将我拯救。

O 累的时候，我会坐在一片疲倦的云朵上，俯瞰世界，总有一些角落里，发生各种各样的故事，你负了我，我欠了你，真累。

《恕我疏离》

O 原来有这样的一种女人，她端坐微笑，便能光芒四射，她只管沉默，也足以艳压群芳。任何女人看到她，都会生出愧疚，为自己粗陋的容颜而颤抖。谁有勇气和她对视，谁就会变成灰尘里面的一颗沙砾，连呼吸都困难。

O 爱神，我不要爱情，爱情是靠不住的东西，如果我贪恋爱时的甜美，终究会被爱结束时候的利刃刺伤，爱神，你明知道我是一个多么软弱的女子，我不过是一个软弱的女子，如果能够预知道最后的伤害，那么不如狠心地躲开。

O 我变成一棵树，长在爱我的人的身旁，每天可以看到我心爱的人经过，却不能靠近，我成为永恒的处子，永不能尝人神皆迷的爱情，这多么好，哈哈哈哈。笑着，就流出了眼泪。

-----------------------------------------

”沧海月明珠有泪,蓝田日暖玉生烟”

衣带渐宽终不悔,为伊消得人憔悴

惆怅东南一枝雪

人生能得几清明

流水落花红，闲愁万种

相关问答

Q1: 麻烦能给我发一份伦敦奥运会开幕式的BBC版英文解说词么，谢谢啦~~~~

BBC直播北京奥运会开幕式解说词

Sue Barker: Good afternoon. In case you are wondering that how important the Olympic Games are and that what it means to the athletes then those three “wise men” should know since they have been to twelve Olympic Games between them. So let’s say we are here in Beijing and we are now in this magnificent ninety-one thousand seats stadium. It’s the national stadium; it’s affectionately known as “the Bird’s Nest”. We are preparing for what is promised to be, a truly spectacular opening ceremony. It won’t start though until 8 o’clock as promised, 8 o’clock local time on the 8th day of the 8th month, 2008. So you won’t miss a thing.

But now for many years have sport and politics had such an uneasy unbalance. There has been political conflict; there have been international protest and environmental fears. As well, there has been so much debate since the People’s Republic of China and Beijing were awarded the games back in 2001. Huw, the world is watching China around Beijing, can you put these games into political contexts for us please?

Huw Edwards: Well, Sue, this is quite something. This is basically China saying to the world: we arrived; we are a 21st-century super power; we can do the best Olympics ever. They spent 40 billion dollars on these games. Nothing can go wrong as far as they are concerned.

Sue Barker: Carrie, Can you tell us what the Games means to people in China?

Carrie Gracie: Well, as far as I can see, people here are really not exposed to the negative messages we have been talking about: the protest, the environment worries, the heavy-handed security. Most people are proud. They are ready to party after seven years of getting ready.

Sue Barker: There are other issues involved here, Michael. For example, President Bush is here for the Opening Ceremony tonight. For the first time the American president is on the foreign soil for opening ceremony. What has been the reaction to that back home in the United States?

Michael Johnson (4-time Olympic champion (1992-2000)): I don’t think many people are really so surprised that he decided to come here, and I think his decision is less political. I think he probably made the personal decision that he wanted to take advantage of the opportunity to come here, to see this and to be a part of the ceremony, regardless of anyone thinks back at home.

Huw Edwards: This is how the Games of the 29th Olympiad are beginning. 2008 drummers are beating the count-down in a way that has never been before. The drummers themselves are producing remarkable electrifying effect.

Sue Barker: These are the full drums calling up the ancestor 4000 years old, 2008 of them.

Huw Edwards: They are waiting for the signal, for the final count-down that Beijing has been waiting for seven years. A minute to go.

Huw Edwards: The Bird’s Nest stadium is filled by energy of these drummers with the very precise message carried.

Sue Barker: Yes. The message is from Confucius saying two and half thousand years old. “Friends come from the far. How happy we are!”

Huw Edwards: This is the bird’s-eye view across the centre of Beijing. The fireworks are creating burning footprints all the way from the Tian’anmen Square, up the central axis, to the Olympic Green and the neo National Stadium.

Sue Barker: So much resonance to the imperial China here. The Confucius, who of course was taboo during the years of the revolution, now is back in style. So are these imperial accesses right through the Forbidden City, and all the identifying marks of five thousand years of the united imperial history.

Huw Edwards: There will be twenty thousand fireworks used for doing this opening ceremony, and the dust creates the Olympic rings. Five rings represent the five continents, the symbol of Olympic unity, unity of mankind in sport.

Sue Barker: You can see the performers suspended, floating through the air and coming down from the huge wires attached to the roof of this stadium. What is worth mentioning is this is a kind of 21st-century take-on of Buddhist figures you find on the walls of caves of Dunhuang. This is the reference to China’s huge northwestern Tang Dynasty spread of the Silk Road.

Huw Edwards: The rings, which are magically made of dust, now somehow raise in this stadium, indicating the arrival of the Olympics in China.

Carrie Gracie: The genius behind this very original opening ceremony, Zhang Yimou, is very much back in now. In a way, he is the story of contemporary China. He told us the other day that he wanted this ceremony to say to the world: romance, family.

Huw Edwards: What he also says is that China is very proud of its 5000 years of civilization. It is not afraid to modernize.

(After the raising of Chinese national flag)

Another spectacular display of fireworks, not just over the Olympic Stadium but over the city. The red flag flutters inside the national stadium. Is the red flag saying something about Chinese history as well, Carrie?

Carrie Gracie: Well, yes, because that’s about what all we are going to say about Chinese Communism in this opening ceremony. The five stars on the flag signify the unity of the country and the leadership of Chinese Communist Party. But we are going to say about a lot more of this kind of images, the traditional, the calligraphy, the culture, the sophistication of ancient China.

Huw Edwards: Indeed. What’s now going to happen is that we are going to enjoy different phases of Chinese history, different aspects of Chinese culture, some of them quieter, some of them on a very big scale.

Very clever is the way they led us from the little film introducing the theme of the scroll to this actual scroll, which is on the floor of this arena. It measures at least 25 meters in width and the length covers the entire length of the arena itself, so believe me, it is big. And this would be the canvas on which lot of tableaus will be painted.

Carrie Gracie: We are going to say that the wash painting developed in China during the Tang Dynasty. To begin, artist puts a few drops of water on ink stone, grinds the ink in circular motion, and then paints with a brush made of wolf hair or horse hair.

Huw Edwards: While the painting goes on, the stream of cultural icons of Chinese historical progress flows on the painting scroll itself. Very cleverly done.

Carrie Gracie: This is the Guchin, the ancient seven-stringed instrument we hear at the same time. We are going to see many of Chinese instruments during the course of this opening ceremony, and this is one of the most harmonious to Chinese ear. And the whole theme of this ceremony is harmony.

Huw Edwards: The Guchin, as Chinese say, has a history of three thousand years, and they claim it is the oldest pluck instrument in the world. I’m sure there will be other views on that, but this is the claim being made.

Carrie Gracie: These are ‘the three thousand disciples’ of Confucius, whether he really had three thousand, no matter, but certainly he does in this performance. What they chant is “All those within four seas can be considered as brothers” from The Analects, Confucius’s most famous work.

Huw Edwards: They are holding bamboo slips, a kind of books with scripts carved on the stringed bamboo slices. Again, the energy created by these men inside this stadium is remarkable.

The three thousand disciples of Confucius are celebrating learning, celebrating Chinese philosophy, and that learning of course takes the forms of books and paper, and of what we are going to see – the printed words.

Carrie Gracie: Confucius had the habit of speaking truth to the power when in and out of favor. – Here we have the example of the first movable type system, which was created here in China, out of ceramic blocks, around 1041 A.D. It was in 1450s for Europe to introduce what generally regarded as the independent invention of moveable type, and that was created by Germany’s Johannes Gutenberg.

We see here the evolution of one character, one special character which holds the clues to everything else this evening. This character is “he”, and it means harmony.

Moveable type began in the Sui Dynasty in the sixth century. Bi Sheng, in the Song Dynasty, improved the matter by making clay types and print. Every Chinese school child is told that the movable type is one of the greatest inventions of ancient Chinese civilization, along with the gun powder, the paper, and the compass. There is the modern character “he”, the one that you will see written in China today.

Huw Edwards: Peach blossoms, romantic and enjoyable, demonstrating the sweetness, peace and love in Chinese people.

Q2: 飞可以组什么词

一、飞字组词有飞快、起飞、飞跑、飞机、飞石、飞跃、纷飞、飞禽、飞驰、飞蛾、飞散、飞舞、飞奔、飞行、飞飏、飞速、飞艇、飞灵、飞船、飞地、飞天、飞吻、飞灾、飞升、飞越、飞眼、飞檐、飞车、飞旋、飞碟等。

二、基本释义

1、（鸟、虫等）鼓动翅膀在空中活动：飞蝗。鸟飞了。

2、利用动力机械在空中行动：飞行。

3、在空中飘浮游动：飞云。飞沙走石。

4、形容极快：飞奔。飞跑。飞涨。

5、挥发：盖上瓶子吧，免得香味儿飞了。

6、意外的；凭空而来的：飞灾。飞祸。流言飞语。

7、姓。

扩展资料

一、字形演变

二、字源解说

文言版《说文解字》：飞，鸟翥也。象形。凡飞之属皆从飞。

白话版《说文解字》：飞，鸟振翅而翔。象形。所有与飞相关的字，都采用“飞”作边旁。

三、相关组词

1、飞快：非常迅速。

《红楼梦》第九六回：“自己却走得比往常飞快。”

2、飞跑：释义为迅速奔跑。

茅盾 《子夜》十四：“警察、李麻子和他的手下人都飞跑着来了。”

3、飞跃：比喻突飞猛进。

鲁迅《三闲集·文艺与革命》：“社会停滞着，文艺决不能独自飞跃。”

4、飞驰：很快地跑。

茅盾 《子夜》十八：“她专心观玩那飞驰过的田野，她的心魂暂时又回到了故乡。”

5、纷飞：纷纷飞洒飘落。

艾青《归来的歌·光的赞歌》：“世界要是没有光，也就没有杨花飞絮的春天，也就没有百花争艳的夏天，也就没有金果满园的秋天，也就没有大雪纷飞的冬天。”

Q3: 求北京奥运会开幕式英文解说词

BBC直播北京奥运会开幕式解说词

Sue Barker: Good afternoon. In case you are wondering that how important the Olympic Games are and that what it means to the athletes then those three “wise men” should know since they have been to twelve Olympic Games between them. So let’s say we are here in Beijing and we are now in this magnificent ninety-one thousand seats stadium. It’s the national stadium; it’s affectionately known as “the Bird’s Nest”. We are preparing for what is promised to be, a truly spectacular opening ceremony. It won’t start though until 8 o’clock as promised, 8 o’clock local time on the 8th day of the 8th month, 2008. So you won’t miss a thing.

But now for many years have sport and politics had such an uneasy unbalance. There has been political conflict; there have been international protest and environmental fears. As well, there has been so much debate since the People’s Republic of China and Beijing were awarded the games back in 2001. Huw, the world is watching China around Beijing, can you put these games into political contexts for us please?

Huw Edwards: Well, Sue, this is quite something. This is basically China saying to the world: we arrived; we are a 21st-century super power; we can do the best Olympics ever. They spent 40 billion dollars on these games. Nothing can go wrong as far as they are concerned.

Sue Barker: Carrie, Can you tell us what the Games means to people in China?

Carrie Gracie: Well, as far as I can see, people here are really not exposed to the negative messages we have been talking about: the protest, the environment worries, the heavy-handed security. Most people are proud. They are ready to party after seven years of getting ready.

Sue Barker: There are other issues involved here, Michael. For example, President Bush is here for the Opening Ceremony tonight. For the first time the American president is on the foreign soil for opening ceremony. What has been the reaction to that back home in the United States?

Michael Johnson (4-time Olympic champion (1992-2000)): I don’t think many people are really so surprised that he decided to come here, and I think his decision is less political. I think he probably made the personal decision that he wanted to take advantage of the opportunity to come here, to see this and to be a part of the ceremony, regardless of anyone thinks back at home.

Huw Edwards: This is how the Games of the 29th Olympiad are beginning. 2008 drummers are beating the count-down in a way that has never been before. The drummers themselves are producing remarkable electrifying effect.

Sue Barker: These are the full drums calling up the ancestor 4000 years old, 2008 of them.

Huw Edwards: They are waiting for the signal, for the final count-down that Beijing has been waiting for seven years. A minute to go.

Huw Edwards: The Bird’s Nest stadium is filled by energy of these drummers with the very precise message carried.

Sue Barker: Yes. The message is from Confucius saying two and half thousand years old. “Friends come from the far. How happy we are!”

Huw Edwards: This is the bird’s-eye view across the centre of Beijing. The fireworks are creating burning footprints all the way from the Tian’anmen Square, up the central axis, to the Olympic Green and the neo National Stadium.

Sue Barker: So much resonance to the imperial China here. The Confucius, who of course was taboo during the years of the revolution, now is back in style. So are these imperial accesses right through the Forbidden City, and all the identifying marks of five thousand years of the united imperial history.

Huw Edwards: There will be twenty thousand fireworks used for doing this opening ceremony, and the dust creates the Olympic rings. Five rings represent the five continents, the symbol of Olympic unity, unity of mankind in sport.

Sue Barker: You can see the performers suspended, floating through the air and coming down from the huge wires attached to the roof of this stadium. What is worth mentioning is this is a kind of 21st-century take-on of Buddhist figures you find on the walls of caves of Dunhuang. This is the reference to China’s huge northwestern Tang Dynasty spread of the Silk Road.

Huw Edwards: The rings, which are magically made of dust, now somehow raise in this stadium, indicating the arrival of the Olympics in China.

Carrie Gracie: The genius behind this very original opening ceremony, Zhang Yimou, is very much back in now. In a way, he is the story of contemporary China. He told us the other day that he wanted this ceremony to say to the world: romance, family.

Huw Edwards: What he also says is that China is very proud of its 5000 years of civilization. It is not afraid to modernize.

(After the raising of Chinese national flag)

Another spectacular display of fireworks, not just over the Olympic Stadium but over the city. The red flag flutters inside the national stadium. Is the red flag saying something about Chinese history as well, Carrie?

Carrie Gracie: Well, yes, because that’s about what all we are going to say about Chinese Communism in this opening ceremony. The five stars on the flag signify the unity of the country and the leadership of Chinese Communist Party. But we are going to say about a lot more of this kind of images, the traditional, the calligraphy, the culture, the sophistication of ancient China.

Huw Edwards: Indeed. What’s now going to happen is that we are going to enjoy different phases of Chinese history, different aspects of Chinese culture, some of them quieter, some of them on a very big scale.

Very clever is the way they led us from the little film introducing the theme of the scroll to this actual scroll, which is on the floor of this arena. It measures at least 25 meters in width and the length covers the entire length of the arena itself, so believe me, it is big. And this would be the canvas on which lot of tableaus will be painted.

Carrie Gracie: We are going to say that the wash painting developed in China during the Tang Dynasty. To begin, artist puts a few drops of water on ink stone, grinds the ink in circular motion, and then paints with a brush made of wolf hair or horse hair.

Huw Edwards: While the painting goes on, the stream of cultural icons of Chinese historical progress flows on the painting scroll itself. Very cleverly done.

Carrie Gracie: This is the Guchin, the ancient seven-stringed instrument we hear at the same time. We are going to see many of Chinese instruments during the course of this opening ceremony, and this is one of the most harmonious to Chinese ear. And the whole theme of this ceremony is harmony.

Huw Edwards: The Guchin, as Chinese say, has a history of three thousand years, and they claim it is the oldest pluck instrument in the world. I’m sure there will be other views on that, but this is the claim being made.

Carrie Gracie: These are ‘the three thousand disciples’ of Confucius, whether he really had three thousand, no matter, but certainly he does in this performance. What they chant is “All those within four seas can be considered as brothers” from The Analects, Confucius’s most famous work.

Huw Edwards: They are holding bamboo slips, a kind of books with scripts carved on the stringed bamboo slices. Again, the energy created by these men inside this stadium is remarkable.

The three thousand disciples of Confucius are celebrating learning, celebrating Chinese philosophy, and that learning of course takes the forms of books and paper, and of what we are going to see – the printed words.

Carrie Gracie: Confucius had the habit of speaking truth to the power when in and out of favor. – Here we have the example of the first movable type system, which was created here in China, out of ceramic blocks, around 1041 A.D. It was in 1450s for Europe to introduce what generally regarded as the independent invention of moveable type, and that was created by Germany’s Johannes Gutenberg.

We see here the evolution of one character, one special character which holds the clues to everything else this evening. This character is “he”, and it means harmony.

Moveable type began in the Sui Dynasty in the sixth century. Bi Sheng, in the Song Dynasty, improved the matter by making clay types and print. Every Chinese school child is told that the movable type is one of the greatest inventions of ancient Chinese civilization, along with the gun powder, the paper, and the compass. There is the modern character “he”, the one that you will see written in China today.

Huw Edwards: Peach blossoms, romantic and enjoyable, demonstrating the sweetness, peace and love in Chinese people.

2008北京奥运会开幕式美国NBC电视台

专题解说词

The footprints in their history stretch back 5000 years,

but for the world's greatest wall builders,

makers of a forbidden city,

what happens tonight is not merely a small step,

but a great leap.

China is welcoming the world.

Who will they be when this is over?

The clock of their lives has been beating with a screaming urgency.

They have pushed themselves to be as sharp as a razor's edge,

for this summer,

to be here,

now,

and nowhere else.

Beijing, the first ever Olympics for the world's most populous nation,

1.3 billion who framed the front-page story of the 21st century,

a China both outside time

and bursting every which way in a bewildering rush of transformation.

They have made themselves anew,

relentlessly,

devotedly,

so they might, on these days (if you want)

step into history.

They've submitted to an uncompromising search for mastery,

repetitive motion, technique polished toward an impossible(guys) ideal.

fall

fail

get up.

It's not the triumph,but the struggle.

It's not the triumph,but the struggle.

It's not the triumph, but the struggle.

Not the triumph,but the struggle.

Why did they begin?

Why do they endure?

It is time for the colorful clash of a universe of shimmering, still to be written biographies.

It is time to chase eternal youth.

Time to defy public heartbreak, laws of gravity.

Time for a Jamaican lightening bolt,

California brilliance.

It is time for the sweetly engaging gymnast from West des Moines,

and the poised daughter of a decorated Olympian.

It is time for the one who has endured the grinding burden of mind-blowing expectations.

Time for the headliner of the Athens games to play superman all over.

Are we about to see the fastest race ever?

A dynasty confirmed?

A victory cheered by a billion voices?

They have pushed themselves to be as sharp as a razor's edge,

for the scintillating prospect of enduring accomplishments,

to leave these games as the greatest Olympic champion of all time.

They have made themselves anew,

for this summer,

for Beijing,

for this

NOW !